Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form.Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes vi...(展开全部)

Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form.Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes vi...(展开全部)

"Pensky's study provides a compelling argument for locating melancholia at the center of Benjamin's thought. Because of its provocative nature, it promises to spark the interest of Benjamin critics, scholars, and students in this otherwise neglected aspect of his work."-German Quarterly "Pensky shows Benjamin's ideas of a new criticism of nature and culture to be based on ...(展开全部)

"Pensky's study provides a compelling argument for locating melancholia at the center of Benjamin's thought. Because of its provocative nature, it promises to spark the interest of Benjamin critics, scholars, and students in this otherwise neglected aspect of his work."-German Quarterly "Pensky shows Benjamin's ideas of a new criticism of nature and culture to be based on ...(展开全部)

Focusing on the notion of the subject in Sartre’s and Adorno’s philosophies, David Sherman argues that they offer complementary accounts of the subject that circumvent the excesses of its classical formation, yet are sturdy enough to support a concept of political agency, which is lacking in both poststructuralism and second-generation critical theory. Sherman uses Sartre’s fir...(展开全部)